Sunday, 2018-06-24

Fotografiska, June 2018

Cathleen Naundorf - Secret Times

Large format (8x10) fashion photography on Polariods. The prints included the tear marks and blotches from the process. The subjects are gorgeous models clad in haute couture creations from the largest Paris maisons.

(The camera was also exhibited, a Plaubel monorail with a Schneider Symmar-S 300mm ƒ/5.6. I nerded out a lot over this.)

In all I didn’t find this very compelling. I respect the photographer for her work and her process, and on some level the combination of ancient technology and modern subjects is interesting. But in the end it’s sort of a gimmick.

Simen Johan - Until the Kingdom Comes

Huge prints of digitally manipulated images of animals and fruit. The new wave of pictorialism - the photographs are just the raw material for making images in a computer to express the vision of the artist. Is it that far removed from making a naturalistic oil painting from a photograph? I don’t believe so.

Evelyn Bencicova - Merror

The subject matter is interesting, but the execution felt unsettling. Probably that is the point.

Linda McCartney & Mary McCartney - Mother Daughter

I’m going to be uncharitable here and say that this is just Mary (the daughter) using her access to her mother’s (Linda) snapshots to enhance her own career.

The prints were not identified by the photographer, which felt dishonest.

Marie Hald - A New Me

Finally a good exhibit. The photographer spent some time “embedded” in a Utah “fat camp” where overweight people went through a crash course to try to lose weight. It’s a typical Swedish young photographer project but the subjects in this stark setting had a quiet dignity that made them human, as opposed to health statistics.

Grönan