Thursday, 2013-05-16

A visit to the Eternal City

My dad very generously invited me and my son (just turned 11) to Rome for a long weekend. We arrived Wed 1 May and left on Sunday.

We had a great time although you really need a much longer time to see all of the sights of Rome. Here’s a rough itinerary of what we saw and didn’t see.

A map of our wanderings can be seen here. In total, we covered 35km on foot, but that’s not counting interior walking around in some museums.

Decent walking shoes are a must in Rome.

Navigation: First day, second day, third day. Photography notes.

Arrival day

Our hotel (the Villa San Pio) was situated on the Aventine Hill, not far from the famous keyhole through which you can see the dome of St Peters framed. It’s a nice quiet neighborhood, rendered almost sepulchral by May Day. Viking and I arrived first and spent the afternoon doing some sightseeing (and buying icecream!) before meeting Jan.

Jan

First day

We walked from the Aventine to the Colosseum. A long queue to get in may be bypassed by the Roma Pass which also has a 3-day travel card. We never got it but check it out before going to Rome. There are a lot of museums that accept it, but not the Vatican.

Included in the ticket to the Colosseum is access to the Forum, right next door. Unfortunately we didn’t have time to visit it. Budget a whole day to these two sights.

Colosseum

Next, we walked a few hundred meters to the tourist information center just off Via dei Fori Imperiali. This is situated in a quiet courtyard and there’s a little café serving foccacia and the like. It has a bathroom too, recommended.

We then headed past the Vittoriano and up towards the Trevi Fountain. If you’re not sure if this is one of the most famous sights in the world the crowds of tourists will remind you. It was almost comical. One wonders how much it costs to close off the streets to make a movie with the fountain as a backdrop.

Last stop was the Spanish Steps, also absolutely packed with tourists. After that we headed home via the Metro.

In the evening, we walked to Trastevere across the Tiber and found a decent if not great pizza place.

Second day, a.k.a. Vatican Day

The Vatican Museum was mentioned in our guidebooks as being an absolute beast, one of the largest in the world, but if you were in a hurry (which we kinda were, dragging an 11-year old with limited patience for ancient artworks) you can sprint to the Sixtine chapel and back, hitting the highlights on the way.

We got up early on Friday morning and took the no. 23 bus to the neighborhood of the Vatican. However, when we arrived, the queue to the museum stretched around 2 blocks (half a kilometer according to Google Maps)! We took a long look at is then headed south to the basilica itself. A later perusal of the website suggested that booking a guided tour allows you to bypass the queues, check that out if you’re in a hurry.

The queue to the basilica was long as well (doubling back on itself while we dithered), leading us to take the command decision to try later in the day, and instead head across the Tiber to the Campus Martius. We visited the Piazza Navona, the Pantheon, and then wound our way southwards to the Campo dei Fiori. After a rather disappointing lunch we hopped on the no. 23 again and revisited the Basilica, arriving at aroung 5pm.

Piazza Navona

Success! The crowds were gone. The reason for this may have been the fact that half the cathedral was reserved for a procession of German Catholics on a pilgrimage, so we never got the chance to visit the crypt. We did however ascend to the cupola an its magnificent view.

View from the cupola of San Pietro

A final journey on the no. 23 (we were now quite fond of this bus) deposited us back in the Testaccio and a fine dinner of liver at a local restaurant (Il Cantinone, opposite Piazza Testaccio).

Third day (Saturday)

Our plans for this day was to visit the Galleria Colonna, a (still) private palace open once a week for visitors. But first I wanted to get my fix of Bernini, so we took the Metro to Republicca and walked a few blocks to S. Maria del Vittoria, where his Ecstasy of S. Teresa of Avila resides. Then we followed Via del Quirinale to his elliptical Sant’Andrea al Quirinale.

Sant'Andrea al Quirinale

We passed the Quirinal Palace, which has a museum annex, the Scuderie, showing an exhibition of Titian’s best works. This was not to be missed, on the risk of emptying Viking’s limited reservoir of enthusiasm for art. We saw some famous works, among them the portrait of Charles V and Danaë and the shower of gold.

The contrast between this exhibit and the Galleria Colonna couldn’t be greater. The Titian was clean and stark, the priceless works lighted in dim gray rooms, protected by wireless alarms. Each was a legitimate priceless piece of art. The Galleria showed how art was exhibited in the 18th and 19th centuries, not carefully curated, but quantity before quality. The walls and ceiling are a riot of colour and gold leaf, all designed to convey the wealth and status of the Colonnas.

Galleria Colonna

After this we found a very nice restaurant (Antica Birreria Peroni, Via si San Marcello, 19) for lunch, then wandered back to Repubblica, looking at shops. We swung by the Capuchin monastery by Piazza Barberini to check out their creepy crypt skeleton sculptures, then meandered through small streets, getting more and more tired in the heat and crowds.

Finally we got a bus and hopped off near the Campidoglio. Our last stop was Michelangelo’s famous piazza, filled with elegantly clothed people waiting for wedding couples to register in the town hall, watched by the statue (or copy thereof) of the mounted Marcus Aurelius. A fine summation of the different stages of Roman history.

Piazza del Campidoglio

After getting on yet another bus we rounded out our evening with cut-to-measure pizzas at Volpetti Più, around the corner from Volpetti’s famous delicatessen.

On the last day the rain started, matching our mood at having to leave this fascinating city!

Photography notes

I shot with my D700 and a 3-prime kit: 28mm ƒ/3.5, 50mm ƒ/1.8 AF, and 105mm ƒ/2.4. The 28mm was used most, followed by the 50mm, and the 105mm only used for a panorama.

The use of the 28mm has led me to try to get a light travel zoom starting at that focal length at the wide end. I felt I missed a few shots (mostly of architectural details) because it was too much of a hassle to change lenses.

This was also the first time I used the Peak Design Capture system for a longer time, and I must say I was very happy with it. I used the clip attached to my Domke strap and it really helped to have the camera on hand all the time. I only used the Cuff when shooting my pano form the cupola, not wanting to earn eternal damnation by dropping my Nikon onto the head of the Pope.

Tuesday, 2013-04-30

April

Sickla Allé

Sjöstadsparterren

Bowlin'

Pics from Istanbul.

Valborg

Friday, 2013-04-26

Istanbul, April 2013

I’m back from a 3-day company trip to Istanbul. It was great fun but didn’t leave too much time for photography. In addition, I’ve been tapped as the “official company photographer” (unpaid of course) so I was under some obligation to take “official shots”.

Mervin takes a shot

With this in mind, I packed the following gear:

  • Nikon D700
  • 24mm ƒ/2.8 AF-D, 28-80mm ƒ/3.3-5.6G, 50mm ƒ/1.8 AF, and 105mm ƒ/2.5 Nikkor-P
  • SB-24 flash

plus all the assorted crap you need to keep a digital camera going nowadays, chargers etc.

Hagia Sophia

The 24mm was packed for those all-important interior shots of churches etc., but it turns out that a wide-angle basically only gives you a great view of all the people sharing the space with you. In addition, in the Hagia Sophia itself there was an exhibition of huge prints by a pro photographer who had had the advantage of no people, great light, and no scaffolding. After seeing that, my desire to capture something unique from one of the most famous buildings in the world faded.

Taksim Square

The zoom is a loaner from my stepdaughter. It turns out I used it the most, as we spent a lot of time in buses, and really didn’t have much time to search out the ideal location. It’s also a very handy lens for social photography with flash, of which I did quite a lot.

I had some irritating issues with the 50mm and the 105mm. The former has some wonky contacts which means mounting it sometimes gives you “fEE” errors or an aperture setting of ƒ/96. I’ll try to get to the bottom of the issue going forward.

Rumelihisarı

The 105mm wouldn’t give me focus confirmation when focused to infinity. I haven’t seen this before and it could be something wonky with the confirmation dot / AF subsystem in my body. I just might have to turn it in for a checkup.

Mannequin shop decoration

I’m heading to Rome soon on a pure vacation trip, and I won’t have access to the zoom. I’ll try to make do with a prime set: 28mm, 50mm for low light, and the 105mm for tele.

Bosphorus, looking South

Wednesday, 2013-04-24

Banishment of the linkblog

I’ve now put all my Pinboard links into a separate blog: gerikson.com/linkblog.

Here’s the feed URL.

The site looks like crap right now but having it in a separate blosxom install will make it easier to tweak the CSS so it looks good for this specific format.

Friday, 2013-04-12

Out of Neutral

Neutral is a podcast about cars from a trio of geeks, Marco Arment, Casey Liss, and John Siracusa. I liked it because I’m more a general tech person rather than a car person and this is a podcast for people like me.

After 12 episodes it’s reached the end of this run, but it’s worth listening to unless you’re hate BMW’s which these guys love. Actually the only boring parts are when Marco gets a bit too involved in the minutiae of BMW models. Fair warning: last episode is basically an unpaid ad for BMW’s European delivery service, but I still enjoyed it.

Thursday, 2013-04-11

In my bag, April 2013

Now I have a Nikon D700 my lenses are “correct” again. I never really had anything wider than a 28mm equivalent on crop, and considering I prefer primes to zooms there wasn’t much I could use on my D200.

I sold a bunch of gear to finance the D700 and I basically arrived at three sets of gear more or less by accident. In the interests of self-promotion I will present them here.

The bag is a Domke F-3. I’ve had it since before Christmas and it got its baptism of fire in Malaysia. I like it for its no-nonsense construction without a lot of useless padding. All pics are taken with my D200 and the Shitma 18-50mm. Strobist: radio-triggered SB-24 pointed at the ceiling, camera right.

(The images are clickable and will lead to the Flickr photo where notes are attached.)

The manual focus prime set

In my bag #1: manual focus prime kit

This is the basic walkaround kit. The reason it’s manual focus is basically cost. The most expensive lens it the 45mm.

So far I’ve found it easier to focus MF lenses with the D700, as it has a 3-part focus confirmation display (arrows + dot), while the D200 only has the dot.

The SB-24 is a pretty capable flash. There’s no TTL metering using it, but the A-mode it has does a decent job. I wouldn’t trust it for fill though, or rather, it takes a bit more fiddling with it to get good fill flash. Luckily the D700 has a popup flash for that.

The Moleskine notebook is for planning future gear purchases, of which more below.

When using the 45mm the whole package is compact enough (“slim” is too strong a word, it’s still a chunky package) to fit into the side compartment of the computer bag I use for work. So I can do Always Bring Camera even when I don’t want to carry both my laptop and a camera bag.

The AF / zoom set

In my bag #2: AF zoom kit

This covers 24mm, 35-70mm, and 70-210mm. It’s basically a coincidence that I have these three AF lenses. I got the 24mm as a 35mm equivalent on crop, and two others after reading way too much about Nikkors on the internet. I haven’t really used them seriously on FX yet.

As an aside, I need more experience with using the 24mm effectively.

The speciality set

In my bag #3: the specialized set

I got the 18mm ƒ/3.5 as a 28mm equivalent prime on crop and it has worked great there. I’m not used to ultrawides on FX though, and I don’t know if it will be useful for the stuff I shoot now. Time will tell. I got it for a good price and will make sure I test it thoroughly before selling it.

The 55mm micro is the only lens that’s made me money, as I’ve used it to take product pictures to post on the internet.

What’s missing?

I’d like some faster glass, even though the D700 has better high-ISO capabilities than the D200. The dream lens at the moment is a 35mm ƒ/1.4 AIs.

Another stray thought it getting a faster long zoom (like the ubiquitous 70-200/2.8) for portraits, but I’m not sure it would even fit in the bag!

Future stuff

I don’t know if I’m going to do a follow-up to this post after a while. The canonical list of my gear is here. Each lens there is linked to pics taken with it on Flickr.

Sunday, 2013-04-07

Show your work

My wife and her sisters were discussing the need to “show your work” when it comes to their kid’s math problems. They were of the opinion that it’s not needed, it’s enough to present the correct answer.

I’m not sure that this is a good idea, and that showing how you arrived at an answer is usually a valuable teaching method.

The importance of showing your work is increased at higher levels of education. I had a course in vector analysis during my first year at KTH where you could basically pass the exam by guessing that the answer was either zero or the null vector. Accordingly, each exam paper said that answers that didn’t show how you arrived at the answer would not get any credit.

Tuesday, 2013-04-02

Bring Up the Bodies by Hilary Mantel

Audiobook narrated by Simon Vance.

The second installment of Mantel’s series about Thomas Cromwell. This is all about the fall of Anne Boleyn. This is the best historical fiction I’ve read since early Patrick O’Brian.

Sunday, 2013-03-31

March

Wille

Henriksdalskajen

Sjöstadskajen

I got a D700 here.

Viking

March equinox 2013

Sickla udde

Risarp

Monday, 2013-03-04

Annals of the Former World by John McPhee

Comprising the volumes Basin and Range, In Suspect Terrain, Rising from the Plains, Assembling California, and Crossing the Craton.

Audiobooks, narrated by Nelson Runger.

McPhee is sort of an acquired taste, and 5 volumes of geology can be hard to swallow (although Runger does a stellar job reading them), but he covers the state of the research well. If you only read or listen to one volume, choose the first, which has a lucid explanation of the concept of deep time in geology.